Daniele Gottardo Trio Ft. Christian Galvez Usa

DANIELE GOTTARDO TRIO ft. CHRISTIAN GALVEZ | Fusion (USA)

DANIELE GOTTARDO TRIO
ft. CHRISTIAN GALVEZ | (USA)

FUSION | ROCK / JAZZ / CLASSIC

AVAILABILITY

2025| SEPTEMBER

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Line up:

Daniele Gottardo | Guitar
Joe Satriani, Steve Vai, Paul Gilbert, Guthrie Govan, Greg Howe, Eric Johnson, Zakk Wylde, Nuno Bettencourt, Richie Kotzen, Billy Sheehan
Christian Galvez | Bass
Fabrizio Bosso, Enrico Rava, Paolo Fresu, Mario Biondi, Dado Moroni, Stefano Di Battista, Mauro Ottolini
Giuseppe Risitano | Drums
Enrico Rava, Paolo Fresu, Stefano Di Battista, Fabrizio Bosso, Tullio De Piscopo, Maria Pia De Vito, Gianluca Petrella, Roberto Gatto, Danilo Rea, Rita Marcotulli


 
DANIELE GOTTARDO

Daniele GottardoItalian guitarist and composer, Daniele Gottardo, has developed a reputation worldwide, not just only for his virtuosity and versatility, but for the depth and sophistication of his compositions, which blend electric guitar and chamber orchestra.

Steve Vai singled Daniele Gottardo out as a favorite:

I’m often asked who is my favorite new young guitar player. Well, here he is: Daniele Gottardo. He’s Italian, and I have been following him for quite some time now. He has an elegant touch, stunning intonation, innovational style, and he honors the melody. Enjoy, and check out his record Non Temperato for a real treat.

Steve Vai, in Guitar World Magazine, January 26, 2017

As a solo artist, Daniele has produced two albums prior to INkBlot—Frenzy of Ecstasy (2010, Digital Nations) and Non Temperato (2014, self-released). His albums stand out for their highly innovative use of electric guitar within a compositional and orchestral context. Additionally, his jazz-rock trio, The Nuts, released a bold debut album, Giant Nuts (2016, self-released), a ferocious combination of chops, energy, and musical sophistication.

Daniele has served as an artistic producer for various projects, including string production for guitar legend, Jason Becker, on Triumphant Hearts (2018, Mascot Records). In 2016 he collaborated with Michael Molenda, then Editor-in-Chief of Guitar Player Magazine, and American guitarist/composer, Gretchen Menn, on Abandon All Hope, a concept album based on Dante’s Inferno that blends modern and classical instruments.

He has performed in some of the most prestigious guitar festivals, including Malibu Guitar Festival (USA, 2017), Guitare En Scene (France, 2016), Ziua Chitarelor (Romania, 2016), Jason Becker Not Dead Yet Festival (Holland, 2013), Eddie Lang Jazz Festival (Italy, 2010, 2013, 2015).

INkBlot is Daniele’s third solo album, and marks an even greater melding of high-energy electric guitar and 20th century composition.

CHRISTIAN GALVEZ

Christian GalvezChristian Galvez is directly related with the generation of electric bass players of the post-Pastorius era.

Gálvez playing is closely related with colleagues like John Patitucci and Stanley Clarke, influences where Christian starts from, going into other personal universes, thanks to his original virtuoso style, colorful and musical, where the use of harmony and chords at highest level are a key part of his own language; style that comes close to great geniuses of the “chord melody” as Joe Pass, Tal Farlow, George Benson and Pat Martino.

His vision of the electric bass as harmonic instrument is unrivaled: “His bass is not only a bass, but pretty much a guitar with bass strings … Galvez does everything a guitarist can do, but when its time to be bass player he plays all what a bass is able to play.

Christian Galvez is currently promoting his last project album “The Art of Chord Melody“, album edited by Pez Records in date 14/06/2019.

“Since 2005 he worked closely with the Argentine guitarist Luis Salinas, and national accompanied great musicians like jazz fusion drummer Billy Cobham or the bassist Stanley Clarke. The meeting between the two musicians came to fruition in early 2007 and resulted in the departure of Gálvez to Los Angeles as member of the Stanley Clarke Electric Band. with which he was in tour worldwide during the next three years. Very active as teacher, he creates the Escuela Superior de Jazz and he plays with his Christian Galvez Quartet in the whole Latin America. He toured the world for around 7 years with América Comtemporánea, one of the most important latin American projets of the las 20 years. He’s member of the Masters of Bass with Gary Willis, Dominique di Piazza and Hadrien Feraud, of the Frank Gambale Quartet and recently of Paolo di Sabatino Trace Elements, alongside with drummers as Peter Erskine, Dennis Chambers and Jojo Mayer. He is currently part of the Billy Cobham Band, touring Europe with the legendary drummer.

He has recorded 13 albums and 3 DVD with Pez Records label, plus his Concert N. 1 for bass and symphony orchestra (the first concert for bass and orchestra in the world) that Christian already performed live together with the most prestigious orchestras in Chile, Bolivia, Panama at most important festivals of Latin America. At today Galvez is for sure the best bass player in Latin America and makes part of the selected small group of the best bass virtuosos of the planet.

GIUSEPPE RISITANO

Giuseppe RisitanoGiuseppe Risitano is an italian drummer, percussionist and improviser. Along with a strong
background in jazz and improvised music, he plays in a wide range of musical styles as a session player and with his own projects.
He attended the Conservatory and various seminars in Italy and abroad, studying with John Riley
(Summer jazz workshop 2009, Conservatorium Van Amsterdam), Stefano Bagnoli (private lessons), Ellade Bandini, Eric Harland (Siena summer workshop) and many others.
From 2010 to 2017, he has been a member of the Laboratorio Permanente di Ricerca Musicale, held by M° Stefano Battaglia (Siena Jazz University): within the group, he worked on improvisation and musical research, recording a work based on some Bela Bartok’s compositions. Lately, he attended the Elite drummer accelerator drum coaching programme, held by renowned drummer Ferenc Nemeth.
Since 2015, he has been playing with guitarist and composer Daniele Gottardo as a member of his new trio: he recorded the drums tracks for Giant Nuts (2016) and participated in important events in Italy and throughout Europe.
As a percussionist, he recorded the latest Daniele’s solo album INkBlot (2022): he also helped in
the composition of the percussions parts.
His credits include collaborations in concerts and recordings both as a session man and as a band
member.
Recordings as a co-leader:
• Oddithrees (Emme Record label, 2019);
• Oddities (a Simple lunch records, 2016);
• Fabbrica 5 (a Simple lunch records, 2016);
• First degree of Else! (Ultrasound Records, 2012).
Collaborations, live and studio, on a regular basis or occasional:
Samuele Garau, Enrico Degli Antoni, Daniele Gottardo, Achille Succi, Stefano Battaglia, Saverio
Vita, Tommaso Taurisano, Frank Martino, Carlo Atti, Claudio Vignali, Luciano Troja, Giovanni
Renzo, Enzo Cimino, Laboratorio “Suoni è ritmo” (feat. Paolo Fresu), Adnan Dura, Kenny Werner Siena jazz combo, Tobia Bondesan, Piero Bittolo Bon, Andrea Balestra, Pierluigi Mingotti, Roberto Spadoni, Roberto Manuzzi, Michele Bondesan, Simone Di Benedetto, SIdMa Orchestra, Frescobaldi Big Band and others.
He has performed in major national and international festivals, including Guitar en Scene Festival (France), Ziua Chitarelor Guitar Fest (Romania), Eddie Lang jazz festival (Isernia, Italy), Umbria Jazz Festival – Piazza IV Novembre (Perugia), Piazza Verdi RAI Radio tre (Milano, Italy), Ferrara Jazz – Torrione San Giovanni, JazzIt fest (Collescipoli), Terni in Jazz, Bologna Festival delle Arti, Blue Note – CvA (Amsterdam, Holland), La Spezia Jazz festival, PercFest (Laigueglia, Savona), JazzIt club Festival (Roma), Siena Jazz, Fara Jazz music Festival, Chieti in Jazz Festival, Novametis (Modena), Piacenza Jazz Festival and many more.

STANLEY JORDAN Quartet | Jazz (USA)

STANLEY JORDAN | Jazz (USA)

Stanley Jordan

Jazz, Blues, Rock (USA)

IN COLLABORATION WITH MCM MANAGEMENT

AVAILABILITY

2025 | MAY (solo) and SEPTEMBER (power 4tet ft. LAURENCE COTTLE!)


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Line up:

Stanley Jordan | Piano, guitar and voice
Miles Davis, Quincy Jones, Dizzy Gillespie, Benny Carter, Kenny Rogers, Phil Collins
Laurence Cottle | Bass
Black Sabbath, Eric Clapton, Seal, Mike Oldfield, Tom Jones
Gabor Dornyei | Drums
Tony Lakatos, Gary Willis, Trilok Gurtu, Charlie Mariano, Till Brönner
Kornel Horvath | Percussions
Al Di Meola, Mike Stern, Scott Henderson, Victor Bailey, Trilok Gurtu


Stanley Jordan is a true chameleon, characterised by his openness, imagination and versatility. The guitarist, known for his special, eight-fingered ‘tapping’ technique, began his career in 1985, and since then his daring adaptations of classical works, his discoveries of pop hits and his ultramodern improvisations that push the boundaries of jazz have fascinated his audiences time and again. One of his partners in the concert will be Chilean bass guitarist Christian Galvez, who has been featured in the bands of Billy Cobham, Stanley Clarke and Dennis Chambers, and is also a member of the Masters of Bass group along with Gary Willis, Dominique di Piazza and Hadrien Feraud. Because of the virtuoso musician’s gracefulness and melodic playing, many think that he actually plays on a guitar equipped with bass strings.

 

 


The group is completed by two Hungarian percussionists from the tHUNder Duo, who play 21st century chamber music using influences from North and South American, African and European music cultures. Gábor Dörnyei is one of the most sought-after drummers in Europe, whether as a soloist, session musician or as a teacher. His 2017 film DRUMEO elevated him among such excellent players as Peter Erskine, Bernard Purdie and Billy Cobham. Kossuth prize-winner Kornél Horváth is well-known to Hungarian audiences, but also enjoys great popularity abroad: in 2016, readers of the British magazine Rhythm voted him ‘Percussionist of the year’. We can confidently call him one of the most original Hungarian performing artists, who has a unique stick technique, and whose playing excitingly combines Hungarian musical roots with influences from jazz, Indian, Arab, African and Latin American music.

His last project “Stanley Jordan plays Jimi Hendrix“, is his tribute to Jimi for the 50th aniversary of his death, which occurs in this 2020. A 50th aniversary is a very important celebration and if you want to celebrate the legend of Jimi, there’s no better opportunity and there will be no better one for many years.

It’s something unique. Stanley, considered one of the 10 best living jazz guitarists, playing with an incredible two hands tapping technique, plays the music of one of the best guitarists ever.

Every Stanley’s concert is sold out. He’s also available in solo and in various formations as well.


FULL VIDEO OF STANLEY JORDAN LIVE @ MUPA BUDAPEST


SOME REVIEW

Discovermusic2018 The10Bestguitarists STANLEY JORDAN | Jazz (USA)

Stanley Jordan in the 12th position in the uDiscover Music “The 50 Best Jazz Guitarists Of All Time“: https://www.udiscovermusic.com/stories/best-jazz-guitarists/

The hour-and-a-half set was a virtuosic tour de force, as Jordan’s sets so often are. But it also was a musically exploratory, emotionally dense and rhythmically energizing roller-coaster ride through a group of tunes ranging from Ravel’s “Bolero” to Lennon & McCartney’s “Eleanor Rigby.”Don Heckman, Los Angeles Times

His piano-like approach to the guitar produces melodies, chords and bass lines simultaneously; his musicality is exemplary; his creativity, a constant. There’re few guitarists like Stanley Jordan; few have pushed the instrument’s boundaries in the same way.” Alejandro R. Chang, Cubaness

Su estilo es sorprendente. Nada que ver con Ingwie Malmsteen, John McLaughlin o algunos de los otros monstruos de la guitarra que en el mundo han sido y son. Y su producción lo demuestra.
Sin afeites ni riff deslumbrantes. Sin uso de efectos electrónicos, todo su trabajo se sostuvo en una digitación limpia, en la técnica conocida tapping — trabajo sobre el mástil a «puros trastes» — , sobre arpegios, pizzicato, «rasgueo» y bajo en síncopa.” Jorge Sariol, Alma Mater


 

 


 

 


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